Susan Finlay’s ‘The Lives of the Artists’ is not explicitly about money (the word “money” doesn’t even make an appearance) but it is there in many guises…[read on]
Entering the gallery at WIELS, we find something like an IKEA display designed by Alejandro Jodorowsky. A deep red carpet covers the entire floor of the main space…[read on]
In Darren Bader’s current show ‘fünfdreier’ at Société Berlin, the realisation of the five instruction-based works in the exhibition are in large part dependent on…[read on]
Through an exploration of this topic, we aim to open conversations around the ways in which money forms the backbone of the art world ecosystem…[read on]
Your receptivity is not your own is a love letter to money. Dear money, you’re all I need, your latch is perfect, you make all needs impossible, your milk rots my teeth…[read on]
There is something very calming about Nan Goldin’s photographs, a sort of comfortable intimacy that’s easy to witness and stand in front of. The subjects photographed don’t…[read on]
Perla Montelongo, Berlin-based director of Node Centre for Curatorial Studies, started the ‘House of Inventions’ in 2019 on the outskirts of her hometown Ciudad Juárez in Mexico…[read on]
The Bad Ideas Collective (BIC) is less of a working collective than a collection of artists sharing their “bad ideas,” though one of its three founders, artist and Central Saint Martins…[read on]
In ‘GG,’ Ad Minoliti’s latest show at Peres Projects in Berlin, the white cube has been domesticated. Stepping into the gallery space on Karl-Marx-Allee…[read on]
“My childhood was a paradise until I fell in love” may seem an uncommon thing to say to most. Not so for Jeanne Tremsal, who grew up in a commune where exclusive love was forbidden…[read on]
Maimon’s approach to such unresolved feelings is courageous, often infused with humour and openness and an inclusive spirit that prioritises developing and exploring relationships…[read on]
