Article by Berlin Art Link in Los Angeles // Aug. 30, 2017
This Spring, American artist and filmmaker Doug Aitken contributed his site-specific architectural intervention ‘Mirage’ to the group exhibition DesertX, which took place in California’s Coachella Valley…[read on]
Article by Katharine Doyle in Berlin // Aug. 11, 2017
Increasingly, artists are being called upon to represent viewpoints on climate change into their work; this artistic phenomenon champions environmental awareness on various levels, whether in its material…[read on]
Article by Sonja Hornung in Berlin // Aug. 07, 2017
Entanglements between minerals and the currents of capitalism form the subject-matter of Australian artist Nicholas Mangan’s carefully-researched survey exhibition ‘Limits to Growth’. Across the four bodies…[read on]
Article by Michelle Standley in Berlin // Jul. 25, 2017
Watching the flat-bottomed barges in Berlin-based photographer Benedikt Partenheimer’s video loop ‘It’s Never Enough’ (2013), as they roll down the Huangpu River before slowly disappearing into the rosy…[read on]
Article by Penny Rafferty in Berlin // Jul. 21, 2017
Dehlia Hannah’s work traverses both the world of image-making and scientific discourse: she started her research in climate change and art around ten years ago and has repeatedly asked the question…[read on]
Article by Katharine Doyle in Berlin // Jul. 18, 2017
“But…what if…the lens itself were an entity? An entity so large that we were utterly dwarfed by it? An entity that we might even be inside of?” Timothy Morton’s accompanying text to the exhibition…[read on]
Article by Georgina Titheridge in Berlin // Jul. 14, 2017
Berlin-based artist Julian Rosefeldt is known for his large-scale video works: often multi-channeled projections, with professional actors and high-quality production values. His films reveal the absurdity of…[read on]