Interview by Penny Rafferty // Sept. 21, 2018
Ben Elliot treads a fine-line between vacuous consumerism and crushingly emotional terrains. At first glance, you may write this Parisian off as an influencer, party-boy or even a troll, but his soft, off-the-cuff quips…[read on]
Interview by Isabelle Hore-Thorburn // Sept. 18, 2018
Art historians have long drawn upon the rich symbolism and allegorical potential of food in art. From Cézanne’s Still Life with Onions and a Bottle to Jana Sterbak’s Vanitas, Flesh Dress for An Albino…[read on]
Article by Isabelle Hore-Thorburn // Sept. 12, 2018
Julian Charrière is the 2018 recipient of the GASAG Art Prize. His career to date articulates the award’s focus on the intertwining of art, technology and science. Since studying under Olafur Eliasson at the…[read on]
Article by Lee Escobedo // Sept. 06, 2018
‘Hyperobjects’ at Ballroom Marfa, organized by Laura Copelin and Timothy Morton, focuses on ecological occurrences that are beyond the human capacity for understanding…[read on]
Article by William Kherbek // Aug. 28, 2018
Earlier this year, Juliette Desorgues curated an exhibition for artmonte-carlo entitled ‘Hypersea,’ featuring the work of artists including Mimosa Echard, Rebecca Jagoe, Jala Wahid, the Young Girl Reading Group and…[read on]
Article by Jack Radley // Aug. 24, 2018
In theory, The ICA Watershed’s premiere exhibition, ‘Diana Thater,’ makes perfect sense, but the ICA’s civic concerns are watered down by the spectacle of the show’s aesthetic emphasis…[read on]
Article by TL Andrews // Aug. 21, 2018
Sarah Cameron Sunde’s ongoing artistic project calls for her to spend upwards of 12 consecutive hours in an icy ocean or sea as the tide clasps and releases her body…[read on]
