Interview by Lucia Longhi // Mar. 01, 2019
Ewa Juszkiewicz’s work stems from a substantial failure in the history of art: the portrayal of women. Rather than the depiction of a person, portraits of women – especially in the Renaissance – were a composition…[read on]
Article by Celia Wickham // Feb. 26, 2019
‘A Fortnight of Tears’, Tracey Emin’s latest major exhibition currently on display at White Cube in Bermondsey (London), features a vast range of work, from neon and sculpture, to paintings and drawings, to photographs and film…[read on]
Interview by Berlin Art Link // Feb. 19, 2019
This year SAVVY Contemporary has announced a programme of exhibitions, research projects, events and collaborations with partners like the Rachel Carson Centre, under the heading ‘The Invention of Science’…[read on]
Article by Sofia Bergmann // Feb. 12, 2019
When considering Suara Welitoff’s exploration of time and human behaviour through absent narrative and video experimentation, it is no surprise that John Cassavetes is one of her inspirations…[read on]
Article by Louise Trueheart // Feb. 08, 2019
Zoom from 3rd century BC to approximately 2080, at Kottbusser Tor perhaps, and you’ll find yourself at the beginning of Sergiu Matis’ newest work, ‘Hopeless’. It begins in a post-apocalyptic,…[read on]
