Anja Kirschner is an artist working predominantly with moving images. Her work examines the immersive conditions of contemporary lifeforms and examines the role materiality…[read on]
The ex-crematorium turned Kulturquartier presents an exhibition that begins on the sunlit grass outside then travels underground into the multiverse of Agnès Varda’s “third life,”…[read on]
Taking the notion of repair as the foundation for this year’s Berlin Biennale, Kader Attia set himself the task of addressing and proposing a means to heal the wounds of our society’s…[read on]
Informed by a biography that bespeaks binary tension—imagine dividing thirty years of your life between crawling in Manhattan and schooling well-to-do students in rural Maine…[read on]
Dominique White’s installations recall nautical, imaginary worlds. They stage “The Shipwreck(ed),” a term that encompasses the past and future of Blackness through the idea of the sea…[read on]
Perception stands at the centre of Elín Hansdóttir’s work. Focusing on immersive, site-specific installations, the Icelandic artist constructs unfamiliar and seemingly displaced…[read on]
This documenta promises to confound expectations and rewrite what this quinquennial art event means, as evidenced by programme offerings such as ‘undoing documenta,’…[read on]
It’s not easy to get a quick overview of Elske Rosenfeld’s practice, not only because her contemplative and research-driven work often comes in the forms of texts,…[read on]
“Othering is alterity in the active voice,” reads the opening line to Nicholas Korody’s accompanying essay, which places Dittrich & Schlechtriem’s group show, ‘Othering,’…[read on]
Kader Attia curates ‘Still Present!’ the 12th Berlin Biennale in collaboration with Ana Teixeria Pinto, Đỗ Tường Linh, Marie Helene Pereira, Noam Segal, and Rasha Salti…[read on]
Carola Spadoni’s work ‘The Peripatetic Film & Video Archive’ (2022) presents, through an elaborately conceived archival practice, decades of footage shot by the artist…[read on]
