Filmmaker Sandra Heremans addresses collective memory, personal history and decolonizing consciousness in her film ‘The Yellow Mazda and His Holiness’. The filmic…[read on]
Black masculinity is influenced by a long colonial history of slavery, racism, oppression and is, in addition, situated at the complex intersection of masculine privilege…[read on]
While the world is in the midst of a profound transformation, people are yearning for new stories and perspectives in order to dream further, and this year 36th edition…[read on]
Anna Mikkola’s video work ‘Ghosts in the Climate’ (2019) opens with a superposition of three paintings from Claude Monet’s 41-work series depicting the Waterloo…[read on]
Entering into Ambera Wellman’s exhibition ‘Logic of Ghosts’ is much like stepping through the looking glass. Customary white gallery walls—perfect for projection and…[read on]
The first appearance of refugees as a mass phenomenon occurred at the end of World War I and the number of people fleeing war and persecution has never…[read on]
‘Sunburst’ consists of a two-part installation made over the course of Canadian artist Amélie Laurence Fortin’s year-long residency at Künstlerhaus Bethanien. The solo…[read on]
We have reached the event horizon where ‘normative’ social, political and economic models show their true distorted tendencies. How many concentric event…[read on]
He and his work could be mistaken for Jean-Michel Basquiat but Álvaro Guilherme is no impersonator. Rather, he is creating the Art Brut of today, and he calls it New Brutalism…[read on]
Flames, silver cutlery and humming bees, the drifting hand is the silent narrator but also the protagonist. This fragmentary film is immersed in the idea of transformation…[read on]
In an age of visual noise driven by the rapid circulation of images, and the constant influx of (mis)information on global catastrophes, the German/Russian photographer…[read on]
