White concrete walls and monumental high ceilings grant a clarity of mind and spirit in the gallery spaces of Sprüth Magers’ Berlin location, where two new…[read on]
‘Absent Touch’—Pakui Hardware’s installation currently on view at carlier | gebauer—gives one the sense of having stepped into a futuristic surgical environment…[read on]
After waiting in a long, nightclub-style queue, we enter Copenhagen Contemporary into a scene filled with building materials and leftovers from former exhibitions…[read on]
Kristina Schuldt is fundamentally a modernist artist. Her work embodies influences from Post-Impressionism, Cubism and late Futurism. In her desire to break away…[read on]
Anna Mikkola’s video work ‘Ghosts in the Climate’ (2019) opens with a superposition of three paintings from Claude Monet’s 41-work series depicting the Waterloo…[read on]
Entering into Ambera Wellman’s exhibition ‘Logic of Ghosts’ is much like stepping through the looking glass. Customary white gallery walls—perfect for projection and…[read on]
The first appearance of refugees as a mass phenomenon occurred at the end of World War I and the number of people fleeing war and persecution has never…[read on]
‘Sunburst’ consists of a two-part installation made over the course of Canadian artist Amélie Laurence Fortin’s year-long residency at Künstlerhaus Bethanien. The solo…[read on]
Art Laboratory Berlin welcomed their newest exhibition series The Camille Diaries this last Thursday. The Camille Diaries creates a discourse on the intersection between conceptions…[read on]
This year’s Berlin Biennale interrogates many forms of oppression enacted globally, coaxing to the surface seldom-heard stories of the marginalized, forgotten and violently silenced…[read on]
We can detect the names of logos more easily than leaves on the ground, and we kill organisms in order to keep others alive. But what does it look like to achieve true…[read on]
