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‘How Deep is the Water, Uncle?’ An Interview with Hannah Donnelly
by Kimberly Budd // Apr. 29, 2022
Oral histories, storytelling, and their interconnectedness to land and water are vital to First Nations culture and art in so-called Australia, where Indigenous systems of knowledge…[read on]
Kubra Khademi: The Woman’s Body as a Place of Freedom
by Lucia Longhi // Apr. 22, 2022
Kubra Khademi (1989) is an Afghan artist who moved to Paris in 2015 after receiving threats in response to a performance on violence against women that she staged in…[read on]
Art Under Occupation: An Interview with Nadya Sayapina
by Anna Karpenko // Apr. 22, 2022
One could say that Nadya Sayapina’s life and art are inextricably marked by a double occupation—the now almost permanent occupation of Belarus by Russia, as well as…[read on]
Defining Indigenous Cinema: Alanis Obomsawin at HKW
by Alice Connolly O’Brien // Apr. 8, 2022
HKW is currently presenting a curated cluster of works by veteran filmmaker Alanis Obomsawin. Born into the Abenaki First Nation, Obomsawin has documented, celebrated and mourned…[read on]
Botanical Colonialism: An Interview with Corina L. Apostol
by Alison Hugill // Mar. 29, 2022
We spoke to curator Corina L. Apostol about the themes explored in the upcoming exhibition and the critical approach to colonial histories taken by the artistic team, in collaboration with…[read on]
Colonial Confrontations: CATPC and Renzo Martens at KOW Berlin
by William Kherbek // Mar. 18, 2022
Dutch artist Renzo Martens—famous for numerous, complex, sometimes repulsive, acts of artistic holy foolery—is back with a new chapter in his ongoing project at KOW in Mitte,…[read on]
Reality Ruined and Rebuilt: An Interview with Victoria Pidust and Volo Bevza
by Natasha Klimenko // Mar. 15, 2022
On the 12th day of the war, we spoke to Ukrainian artists Victoria Pidust and Volo Bevza about their current experiences, absurdity and how reality is rebuilt by media…[read on]
