Article by Hannah Carroll Harris // May 29, 2020
Re-centring the periphery is the focus of this year’s Biennale of Sydney which takes an expansive approach to its themes of First Nations sovereignty, environmental crisis, community…[read on]
Interview by Hannah Carroll Harris // May 26, 2020
A steel mountainous landscape steadily deteriorates in its brine-filled vitrine, turning the once-clear liquid a corrosive dusty orange; a hanging plastic sheet rhythmically moves to a draft of air in the…[read on]
Interview by Cristina Ramos // May 22, 2020
The shift from consumer aesthetics toward an understanding of agriculture and the rural(s) as a sphere for artistic research is the basis of Spanish artist Fernando García-Dory’s work. Combining locally-rooted…[read on]
Interview by William Kherbek // May 19, 2020
Torbjørn Kvasbø has been producing his richly evocative ceramic works for more than four decades. He is frequently the subject of exhibitions that span from Lillehammer in Norway to…[read on]
Interview by Denisa Tomkova // May 12, 2020
We talked to Synnøve Persen about her Sámi origin, her work as a visual artist, activist and poet, and about her video work in the upcoming exhibition ‘The White, the Green, and the Dark’ at…[read on]
Article by Hannah Carroll Harris // Apr. 28, 2020
To encounter Rosa Barba’s expansive filmic installations in the flesh is to experience an expert unravelling of the documentary format and a rethinking of how we bear witness…[read on]
Interview by William Kherbek // Apr. 17, 2020
Jenna Sutela’s art has concentrated on the ways various microorganisms experience and impact the biosphere. From the poetic output of a bacteria colony used to power a computer to the creation of a pseudo-language…[read on]
Interview by Jack Radley // Apr. 10, 2020
Michael Wang unearths the intertwined roots of plant, animal and human histories. Working between his upstate New York studio and his Governors Island residency, Wang traces…[read on]
Interview by Vanessa Souli // Apr. 03, 2020
In her work, Bianca Kennedy focuses on the body in its wider social, political, philosophical and artistic aspects. In collaboration with The Swan Collective, she has embarked on the creation of works of a…[read on]
Article by Dagmara Genda // Mar. 27, 2020
It could be cynical to say that Daniel Steegman Mangrané should consider himself lucky for the chain of events that have made ‘Fog Dog’ at Esther Schipper even more alienating, uncanny and strange…[read on]
Article by Hannah Carroll Harris // Mar. 20, 2020
Exceptionally detailed, minuscule rainforest lichen, soft fuzzy moss and extraterrestrial orchid forms inhabit the hyper-real world of Richard Mosse’s latest body of work ‘Ultra’…[read on]
Article by William Kherbek // Mar. 13, 2020
It’s a story I’ve heard several times now: a friend does a road trip in America and remarks that, compared with previous visits, they noticed almost no insects splattering across their windshields out on the road…[read on]
