In October of this year, Palestinian-Danish artist Larissa Sansour opened her sweeping solo exhibition at Amos Rex in Helsinki. The thoroughly darkened underground space…[read on]
In a darkened lower gallery of the Nasher Sculpture Center, a purpose-built ramp leads visitors to the edge of an architectural kaleidoscope. Inside, painted foam creatures…[read on]
About six months ago, Monica Bonvicini had to leave her place at the Uferhallen complex in Wedding and relocate to a new studio. For the first time in 15 years…[read on]
‘Romantic Ireland’—the Irish pavilion at this year’s Venice Biennale, by visual artist Eimear Walshe—explores the history of land contestation in Ireland and intergenerational care, both…[read on]
The Hungarian artist duo János Borsos and Lilla Lőrinc have been working together since 2008 under the fictitious artist persona, Borsos Lőrinc. The focus of their collaborative…[read on]
The curators of ‘Non-Specific Objects’ at Capitain Petzel selected artists whose work actively counters this hegemonic universal promoted by Judd. Through abstraction and…[read on]
Narcisster is participating in the current exhibition ‘The Cult of Beauty’ at London’s Wellcome Collection, which explores the universal myths and constant changing nature of…[read on]
At Pirelli HangarBicocca’s cavernous, industrial exhibition space, Thao Nguyen Phan’s works—videos, installations, drawings and paintings—bring a certain poetic softness…[read on]
‘— USSYPHILIA’ is Juliana Huxtable’s largest solo exhibition in Europe to date and dissects her usual wheelhouse of themes, from queerness and sexualised bodies…[read on]
“This is care in action!” exclaims Cibelle Cavalli Bastos, as they serve us steaming hot tea soon after we arrive at their studio in Köpenick, a lushly forested neighbourhood in…[read on]
Suah Im’s solo exhibition ‘Entropy’ at Galerie Eigen+Art Lab in Berlin invites visitors into the depths of self-exploration and existential introspection…[read on]
Leontios Toumpouris advocates for a departure from the hegemony of language. Instead, he urges the exploration of the realm of physical sensation…[read on]
