Dominique White’s installations recall nautical, imaginary worlds. They stage “The Shipwreck(ed),” a term that encompasses the past and future of Blackness through the idea of the sea…[read on]
Perception stands at the centre of Elín Hansdóttir’s work. Focusing on immersive, site-specific installations, the Icelandic artist constructs unfamiliar and seemingly displaced…[read on]
This documenta promises to confound expectations and rewrite what this quinquennial art event means, as evidenced by programme offerings such as ‘undoing documenta,’…[read on]
It’s not easy to get a quick overview of Elske Rosenfeld’s practice, not only because her contemplative and research-driven work often comes in the forms of texts,…[read on]
“Othering is alterity in the active voice,” reads the opening line to Nicholas Korody’s accompanying essay, which places Dittrich & Schlechtriem’s group show, ‘Othering,’…[read on]
Kader Attia curates ‘Still Present!’ the 12th Berlin Biennale in collaboration with Ana Teixeria Pinto, Đỗ Tường Linh, Marie Helene Pereira, Noam Segal, and Rasha Salti…[read on]
Carola Spadoni’s work ‘The Peripatetic Film & Video Archive’ (2022) presents, through an elaborately conceived archival practice, decades of footage shot by the artist…[read on]
With more than two decades of working with decoloniality and notions of repair as an artist, Kader Attia activates these fields of knowledge as the curator of the 12th Berlin Biennale…[read on]
After more than 30 years of teaching, Raimund Kummer is ready to retire. The artist and professor of sculpture at the HBK Braunschweig has been constructing an expansive oeuvre…[read on]
Just a few short weeks ago Volodymyr Zelensky delivered a video message for the opening of the Venice Biennale and the accompanying ad hoc exhibition, “This is Ukraine Defending…[read on]
