Spotlight
Borsos Lőrinc’s Techno-Ritualistic Objects
by Aurola Győrfy // Feb. 13, 2024
The Hungarian artist duo János Borsos and Lilla Lőrinc have been working together since 2008 under the fictitious artist persona, Borsos Lőrinc. The focus of their collaborative…[read on]
The Instability of Material in the Work of Vera Kox
by Julia Mazal // Nov. 28, 2022
Working with illusion, the appearance of motion, and the fragility of material, German-Luxembourgish artist Vera Kox seeks to challenge many preconceived notions of sculpture…[read on]
Perplexing Spaces in the Work of Elín Hansdóttir
by Nadia Egan // June 14, 2022
Perception stands at the centre of Elín Hansdóttir’s work. Focusing on immersive, site-specific installations, the Icelandic artist constructs unfamiliar and seemingly displaced…[read on]
Stillness as Revolutionary Gesture in the Work of Elske Rosenfeld
by Dagmara Genda // June 8, 2022
It’s not easy to get a quick overview of Elske Rosenfeld’s practice, not only because her contemplative and research-driven work often comes in the forms of texts,…[read on]
Berlin’s Material Contradictions Explored by Lucas De La Rubia
by Aoife Donnellan // Feb. 5, 2021
Lucas De La Rubia’s multidisciplinary work underwent a transformation during his recent residency at Institut für Alles Mögliche. Spending two months in Berlin during lockdown…[read on]
Chaos and Coherence in Ruohan Wang’s Expansive Practice
by Aoife Donnellan // Jan. 20, 2021
Ruohan Wang’s mesmerising collages combine vibrant colour and geometric abstraction to strike an unlikely balance between playfulness and tranquility…[read on]
Ecologies, Myth and Historical Insistence in Nanna Heitmann’s Photography
by Noëlle BuAbbud // Sept. 30, 2020
In an age of visual noise driven by the rapid circulation of images, and the constant influx of (mis)information on global catastrophes, the German/Russian photographer…[read on]
Power and Eroticism in Katherina Olschbaur’s Paintings
Article by Elizabeth Schippers // May 15, 2020
Katherina Olschbaur’s compositions melt human bodies, objects, formal elements and animals in a cluster of different parts, creating assemblages that suggest malleability and possibilities for change…[read on]
Politics of the Body in Emília Rigová’s Practice
Article by Denisa Tomkova // Apr. 29, 2020
Emília Rigová is a Slovak visual artist and academic of Roma origin. She teaches art at the Matej Bel University in Slovakia, where she established the Department of Roma Art and Culture in 2019…[read on]
Material Intimacy in the Work of Catherine Evans
Article by Hannah Carroll Harris // Apr. 14, 2020
Catherine Evans’ quietly confounding works are at once strangely familiar and beyond how we currently know and classify earthly matter. With a background in science, and then photography…[read on]
Reading Cultural Identity in Teresa Solar’s Practice
Article by Bárbara Borges de Campos // Apr. 06, 2020
Teresa Solar’s audiovisual and ceramic works take unexpected routes. Usually resulting from intensive research, her practice is marked by a desire to communicate and express, turning …[read on]