As the summer heats up and the art world winds down, we will also focus on what it means to slow down or do nothing. This month I will be talking to Victoria Stanton, a Montréal…[read on]
‘Fakes, Fictions and Forensics’—the first in ‘Gossip Gossip Gossip’s’ ongoing series of events—reconsidered gossip not as “empty talk,” but rather, as emancipatory reappropriation…[read on]
We are delighted to feature John von Bergen as the first contributor to our artist’s Photo Essay series. This series will be related to our feature topic, which until the end of June is…[read on]
“Fake” is the thread weaving through all of Emma Adler’s works and it appears in different forms: virtual reality, replica, realistic theatre prop, an unrealistic concrete wallpaper,…[read on]
The group exhibition ‘Mimicry-Empathy,’ curated by German artist Susanne Bürner, brings together works that activate deep connections between the two concepts…[read on]
Petrit Halilaj slips into one of the two costumes lying on the floor. Suddenly, there is a big fuzzy creature with a bushy tail and a mask-like band of black around its eyes standing in…[read on]
Sharp, small, but sweet, ‘read that twice’ is a layered and ironic assessment of the modern-day value system. Though limited in size, it possesses the potential to leave each visitor with…[read on]
Rhea Myers has been creating art using advanced digital blockchain technologies since 2013. Her work is defined by a sophisticated understanding both of computation and programming…[read on]
Oral histories, storytelling, and their interconnectedness to land and water are vital to First Nations culture and art in so-called Australia, where Indigenous systems of knowledge…[read on]
Kubra Khademi (1989) is an Afghan artist who moved to Paris in 2015 after receiving threats in response to a performance on violence against women that she staged in…[read on]
One could say that Nadya Sayapina’s life and art are inextricably marked by a double occupation—the now almost permanent occupation of Belarus by Russia, as well as…[read on]
