We spoke to Mike Bourscheid about where his sense of humor originates, his interest in games as a methodology for his performance works and how his costume and prop design…[read on]
The artistic practice that Fudakowski reflects upon in ‘The Roll of the Artist’ belies the revered Beat poet’s dictum. Instead of “risking” absurdity, Fudakowski’s art often…[read on]
Sonya Lindfors and working group’s ‘camouflage’ (2021) contains props, gestures, dialogues and citations that make us laugh, but not always comfortably…[read on]
There is no monolithic “Black American experience” to be garnered here, but two stark artistic approaches that each point to an interest in reclaiming narratives…[read on]
These five artists—Melissa Guevara, Crack Rodríguez, Ernesto Bautista, Mauricio Kabistan and Mauricio Esquivel—got together and asked themselves how art can impact…[read on]
‘The Future of Cities. Not For Granted,’ presented at the Halle 14 Zentrum für zeitgenössische Kunst in Leipzig, assembles a survey of practices, which hybridize art, architecture, political…[read on]
Colossal, layered and rich in meaning, ‘Metoikos (in between paintings)’ marks the third solo exhibition of Mehretu in this space and is contrastingly paired with a suite of her etchings…[read on]
The work of the French-Algerian artist Kader Attia teaches us that time alone doesn’t heal traumas. Through visual metaphors, individual and collective histories and information…[read on]
For her latest installation, Henrike Naumann has recreated the layout of Hitler’s famous alpine residence, known as the Berghof in Obersalzburg, except the interior is scattered with…[read on]
In his multi-disciplinary practice, Berlin-based artist and composer Armin Lorenz Gerold turns traditional exhibition spaces into acoustic landscapes…[read on]
Distinct reoccurring visual methods abound throughout this display of Bartana’s oeuvre, with speculative strategies that envision and question the many forms that repair and…[read on]
Irina Gheorghe is an artist whose works can be said to constitute a study of what is not there. Working primarily with performance in combination with installation, collage,…[read on]
