Article by Louise Trueheart // Feb. 08, 2019
Zoom from 3rd century BC to approximately 2080, at Kottbusser Tor perhaps, and you’ll find yourself at the beginning of Sergiu Matis’ newest work, ‘Hopeless’. It begins in a post-apocalyptic,…[read on]
Article by Sarah Messerschmidt // Feb. 01, 2019
Vocal performance can be as palpable as it is sonic. The series ‘From Breath to Matter’ (FBTM), founded in 2017 by Alessio Castellacci and Jule Flierl, engages this philosophy in a series of…[read on]
Interview by Rebecca Partridge // Jan. 25, 2019
The work of artist Florence Peake flies in the face of conservatism. Literally. Wet slopping clay, hurled across the gallery. Her practice morphs between performance, painting and sculpture and though…[read on]
Interview by Celia Wickham // Jan. 22, 2019
Tannaz Motevalli is an interdisciplinary Baltimore-based artist, whose work focuses on bodies of language, desire and identity. Her practice is highly autobiographical and shaped around her experiences of living with chronic…[read on]
Article by Jack Radley // Jan. 11, 2019
For Bruce Nauman, touch is sensual and sexual, prohibitive and encouraged, instinctual and directed. Spanning both the Museum of Modern Art and MoMA PS1, ‘Disappearing Acts’…[read on]
Article by Alison Hugill // Dec. 22, 2018
Korean artist Lee Bul’s artistic oeuvre is permeated with theoretical musings tied to a specific era of feminist thinking. While her current large-scale solo exhibition ‘Crash’ at Gropius Bau…[read on]
Interview by Marta Jecu // Dec. 14, 2018
The European identity remains without any concrete basis: the geographic indicators shift, the idea of the centre enters into local folklore and the monuments indicating it corrode…[read on]
Article by Benjamin Marvin // Dec. 07, 2018
‘Extra+Terrestrial’, an exhibition curated by the sex-positive, trans-disciplinary collective Coven Berlin, attempts to reimagine alienation by reclaiming the figure of the Other…[read on]
Interview by Romily Alice Walden // Nov. 27, 2018
Baby Punk + Dr. Babuyoka collaborate in a multidisciplinary live performance that fuses rap, video, hip hop and spiritual ritual. During their performance, video footage of conspiracy theorists and sea…[read on]
Article by Nina Prader // Nov. 23, 2018
In Henrike Naumann’s interiors, memory, amnesia and the present seem indiscernible, simultaneously as flippant as they are nostalgically potent. Her sculptural environments show ideologies, embedded in materials…[read on]
Article by E.C. LaMorte // Nov. 20, 2018
Not until today, viewing ‘Womb Life’, had I ever drawn a relationship between clay in a kiln, a baby in a womb and the subconscious within consciousness. But these are the kinds of psychedelic connections…[read on]
Article by Sofia Bergmann // Nov. 16, 2018
The current exhibition ‘So ist das bei uns’ at Neukölln’s Galerie im Körnerpark is photojournalistic in approach, providing viewers access to a foreign world without exoticizing the subjects…[read on]
