Article by Angela Connor in Berlin // Oct. 02, 2012.
German artist Thomas Demand (b. 1964) is well known for his large-format photographs of life-sized three-dimensional sculptures made from cardboard and paper. Trained as a sculptor at the prestigious Kunstakademie…[read on…]
Article by Jeni Fulton, exhibition photos by Rian Davidson – in Berlin; Sunday, Sep. 30, 2012.
Salons have played a key role in the reception process of artworks, providing a forum for the free exchange of ideas and opinions since the days of Diderot and Baudelaire. Momentum, the Berlin platform for time-based art, hosts these events to coincide with…[read on…]
Article by Evanna Folkenfolk – in Berlin; Tuesday, Sep. 25, 2012.
“It is the representation of ideal feelings,” he says, and somehow this makes sense. “It is the romantic tension between interiority and exteriority, the tension between what I try to do with the space inside of my self and the space outside.”… [read on…]
Article by Jeni Fulton in Berlin // Sep. 12, 2012
The fifth edition of Art Berlin Contemporary, or abc presented itself in refreshingly new colours this year. Gone were the awkward ‘curatorial’ premise of last year’s show (entitled All about Painting), and the strangely installative snaking wall. Instead, Manuel Reader’s…[read on]
Article by Angela Connor – in Berlin; Wednesday, Sep. 19, 2012.
Last weekend, Berlin Art Link presented its third exhibition in their ongoing Day & Night series with American artist John Kleckner and Swiss artist Eva Maria Salvador. This exhibition followed on from their first collaborative exhibition Köpfe und Helme (2011) and explored notions of mortality, entropy, regeneration and metamorphosis, whilst engaging in the creative repurposing of recycled materials…[read on…]
Interview by Anna C. Purcell in Berlin // Sep. 11, 2012
With the diversity of contemporary works, it seems implausible to find a space that fits all artists, methods, and content range too dramatically. Two Berliners embraced the need for change, initiating the search for individualistic…[read on]
Article by Adela Yawitz – in Berlin; Thursday, Aug. 30, 2012.
To admit, I spent an inordinate amount of time, last month, watching olympic gymnasts do impossible things on the barbie-pink mattresses of the London gymnastic hall. In glittering one-pieces, their makeup running with tears and sweat, these girls’ bodies were hypnotizing, their efforts communicating no message besides years of practice and physical ability. I watched on safely from my couch…[read on…]
Interview by Francesca Brooks – in London; Monday, Aug. 20, 2012.
French Riviera is closed over August, but disappointed visitors should feel free to call and leave a message. Sebastiaan Schlicher’s answerphone project is a sign that all is not dead at the other end of the line. The second installment in an ongoing sound art series, Schlicher’s piece will function as the interim performance piece…[read on…]
Interview by Anna C. Purcell – in Berlin; Saturday, Aug. 11, 2012.
Today, modernity confounds the traditional creative process. Documentation has risen to a level of significance previously unseen, and questions linger about the importance of work being translatable. How easily can pieces be transformed into shared digital files from physical objects?…[read on…]
Article by Alison Hugill – in Berlin; Saturday, Aug. 04, 2012.
A note Larry Clark has written about his work, scrawled in childlike handwriting and mounted alongside his Teenage Lust photo series at C/O Berlin, describes with nostalgic longing the drugged out gang bangs and violent sex scenes of his rural American youth. He laments not having had a camera at the time, to capture the uninhibited sexual thrills of his boyhood…[read on…]
Article by Adela Yawitz – in Berlin; Monday, Jul. 30, 2012
At the moment, there are more than a few artists in Berlin trying to outdo their machines. These machines ‒ computers, programmed sequences, projectors, speakers ‒ have become necessary production tools, and yet they have the power to work outside the artist’s control. According to David Link’s exhibition text, at Alexander Ochs gallery, “although computer programs were once written by people, they should ideally… [read on…]
Article by Evanna Folkenfolk – in Berlin; Wednesday, Jul. 26, 2012
These words by Alfredo Jaar close what is a succinct but lethal description of the 1994 Rwandan genocide. They are projected in white light along a dark hallway connecting two installations in Jaar’s recent retrospective,The Way It Is. An Aesthetics of Resistance…[read on…]