Maimon’s approach to such unresolved feelings is courageous, often infused with humour and openness and an inclusive spirit that prioritises developing and exploring relationships…[read on]
Kinship beyond bloodlines—or the recently popularized concept of “chosen family”—is, for many, a mode of survival that provides escape from the suffocations and all too often latent…[read on]
Why is it that so many prototype humanoids, powered by AI, look like women, or more accurately, embody heteronormative standards of femininity? Perhaps more importantly,…[read on]
In the flood of writing and pondering about the advance of artificial intelligence-enabled art, the word “uncanny” keeps popping up. Writers and artists frequently describe the warped…[read on]
Like any epoch-defining technology, text-to-image AI has incited a considerable amount of utopian and dystopian punditry, from magazine articles praising its potential to unleash limitless…[read on]
Christopher Kulendran Thomas explores the lost histories of the Tamil community using vast quantities of online data combined with his own personal experience. Using Unreal…[read on]
Berlin-based Polish artist, Roman Lipski began working with AI software to expand his artistic process in 2016. Together with Florian Dohmann, computer scientist and co-founder of AI…[read on]
In his current show at Galerie Mazzoli Berlin, titled ‘符号的智能 (The Intelligence of Signs),’ Donato Piccolo speculates on the potential of AI to infuse autonomy and even authorship into…[read on]
For the topic ‘Artificial Intelligence,’ Bridget Moser used Dall-E 2 AI to create this series of uncanny images from text-based prompts, titled ‘There’s Something Wrong with My House.’…[read on]
…the project is not merely archival: the second volume of ‘Entropia’ was authored in collaboration with GPT-2, an OpenAI-created language model (aka text-generating “artificial…[read on]
Artificial intelligence is scary. Almost everyone knows HAL from ‘2001: A Space Odyssey,’ the intelligent and, in the course of the film, increasingly sentient spaceship…[read on]
For the topic ‘Oil,’ Göksu Kunak shares a visual essay based on the performative installation ‘Petrol,’ tracing oil politics in Turkey and delving into the world of the song Petrol (1980)…[read on]
