Fannie Sosa is an afro-sudaka activist, artist and scholar whose work focusses on pleasure and its transmission as a radical act of resistance. In 2016, they launched ‘A White Institution’s Guide for Welcoming Artists…[read on]
With her recently created digital artist book, ‘“Victoria” to “Verlaine”’, Victoria E Pullen explores the ways in which we create modern myths surrounding subcultural practices in the music scene, art world and online fandoms…[read on]
Otobong Nkanga, born in Kano, Nigeria, currently lives and works in Antwerp. Her multidisciplinary art practice focusses on the complex relationship between land and its inhabitants. Her exhibition ‘There is No Such Thing…[read on]
Legacy Russell is a curator, artist and the author of the forthcoming book ‘Glitch Feminism’. Russell’s book, to be released by Verso Books in September, is a manifesto and an exploration of the role that art…[read on]
Article by Judith Vallette // July 10, 2020
For their ‘exp. 3,’ the 11th Berlin Biennale presents Sinthujan Varatharajah and Osías Yanov’s exhibition ‘Affect Archives.’ In the exhibition, Varatharajah and Yanov concentrate on the body and movement…[read on]
The Silent University is a solidarity-based knowledge exchange platform by displaced people and forced migrants. It is led by a group of lecturers, consultants and research fellows who share this background…[read on]
Britta Marakatt-Labba, a Sámi textile artist and painter, grew up in a reindeer-herding family in the Northernmost region of Sweden. For the Sámi, who have lived across the borders of the countries today known as…[read on]
Interview by Elizabeth Schippers // June 23, 2020
‘AmissingRoom’ is an artwork to be experienced in the evening, when it gets darker and the moon might be seen peeking from behind a tree in your housing block’s garden. Previously shown in various…[read on]
Article by Elizabeth Schippers // June 19, 2020
In one corner of the exhibition space, the walls are covered with prints of dots: overlapping dots, intersecting dots, eyes looking the visitor up and down, meeting our gaze. The prints also include adaptations of the text…[read on]
Allison Janae Hamilton triangulates her artwork between her Kentucky birth, Florida upbringing, and Tennessee family farm. The swamps simmer beneath skewers of skinny pines. The crickets commandeer conversations…[read on]
A cascade of bones spirals down from the ceiling, creating a fluid motion reminiscent of that of a wind chime. For ‘Spirals of the Pile’ (2018), the reindeer jaws, reused from her previous pieces, are carefully…[read on]
June 05, 2020
As part of a growing number of artists who are addressing landscape through the traditional medium of painting, we invited Hannah Brown and Rebecca Partridge to have a conversation, which took…[read on]
