The word “uprising” is not one I would usually connect to a half-derelict manor house located deep within the Brandenburg countryside. Inconspicuous, it lies nestled between…[read on]
Manifesta 14 provides one of those rare instances where the exhibition space is as interesting as the exhibits they contain. The epicenter of this year’s biennial, held in Prishtina…[read on]
Andrea Fourchy’s canvases in ‘Bachelors’ at Société are drawn from the golden age of post-war cinema and glossy magazines when Jet Set 1.0 ruled the skies. Looming over all others amidst…[read on]
Visual artist, poet, former lead singer and founding member of the seminal Krautrock band CAN Malcolm Mooney’s solo exhibition, ‘Works: 1970–1986,’ focuses on the artist’s…[read on]
We often forget that the nation-state is a modern construct in political discourse. It’s only in times of war or crisis that its imaginary borderlines and principles show themselves to…[read on]
The ex-crematorium turned Kulturquartier presents an exhibition that begins on the sunlit grass outside then travels underground into the multiverse of Agnès Varda’s “third life,”…[read on]
‘Fakes, Fictions and Forensics’—the first in ‘Gossip Gossip Gossip’s’ ongoing series of events—reconsidered gossip not as “empty talk,” but rather, as emancipatory reappropriation…[read on]
Taking the notion of repair as the foundation for this year’s Berlin Biennale, Kader Attia set himself the task of addressing and proposing a means to heal the wounds of our society’s…[read on]
Informed by a biography that bespeaks binary tension—imagine dividing thirty years of your life between crawling in Manhattan and schooling well-to-do students in rural Maine…[read on]
“Othering is alterity in the active voice,” reads the opening line to Nicholas Korody’s accompanying essay, which places Dittrich & Schlechtriem’s group show, ‘Othering,’…[read on]
The group exhibition ‘Mimicry-Empathy,’ curated by German artist Susanne Bürner, brings together works that activate deep connections between the two concepts…[read on]
