Being submerged in an underwater sound bath in the basement of a Berlin club may not seem like the most meditative experience, but somehow sitting on the floor alongside…[read on]
At the opening performance of Kris Lemsalu Malone and Kyp Malone Lemsalu’s exhibition ‘Love Song Sing-Along’ at the KW Institute for Contemporary Art, I find myself…[read on]
Hidden in the hinterhof of a GDR-era apartment block, Galerie Neu is an unexpected find. The former power station that would have once heated the stacks of surrounding flats…[read on]
There is always one film at the Berlinale that reminds you that the moving image can mobilize change in perspective, politics and power structures…[read on]
The information pamphlets were printed on neon colored paper, the fonts were loud, projecting hieroglyphic codes for new design vernaculars. From February 20th–23rd,…[read on]
The strong discursive bent in Oscar Muñoz’s work arises from the fact that he treats material as metaphor, as a means to meditate on the passage of time…[read on]
To be creative when Romania was part of the Eastern Bloc was to either conform to the strictures of censorship and Social Realism, or to find ways to take your practice underground…[read on]
Thinking about the word loop, both positive and negative images come to mind. Loops are the circle of life and breath, the reassuring confirmation that existence continues…[read on]
A puzzling sense of displacement grips you as you walk up the stairs to Galerie Nordenhake. What at first appears to be a strangely fragmented conversation between people…[read on]
The works of Henrik Potter, collected at PSM Gallery in an exhibition entitled ‘Souls,’ approaches the task at a slant. Potter eschews traditional painterly representation as…[read on]
As stories of environmental devastation fill our daily news feeds at an increasing rate, how do we come to terms with the fact that we are living in an era of unprecedented destruction…[read on]
Nina Rodin’s interdisciplinary show ‘Caviar, Skin and Unsolved Systems’ at Karl Oskar Gallery in Tempelhof suggests an approach to art-making as a scientific process…[read on]
