If all goes well, the solo exhibition of Paris- and New York-based artist Lee Mingwei will open on April 19th at Gropius Bau. The expression of sharing, giving and spending…[read on]
Jorinde Voigt’s delicate brass mobile ‘Contemplation 10’—circling in the staircase of König Galerie—is a mere preview of what the exhibition achieves…[read on]
Being submerged in an underwater sound bath in the basement of a Berlin club may not seem like the most meditative experience, but somehow sitting on the floor alongside…[read on]
At the opening performance of Kris Lemsalu Malone and Kyp Malone Lemsalu’s exhibition ‘Love Song Sing-Along’ at the KW Institute for Contemporary Art, I find myself…[read on]
Hidden in the hinterhof of a GDR-era apartment block, Galerie Neu is an unexpected find. The former power station that would have once heated the stacks of surrounding flats…[read on]
There is always one film at the Berlinale that reminds you that the moving image can mobilize change in perspective, politics and power structures…[read on]
The information pamphlets were printed on neon colored paper, the fonts were loud, projecting hieroglyphic codes for new design vernaculars. From February 20th–23rd,…[read on]
The strong discursive bent in Oscar Muñoz’s work arises from the fact that he treats material as metaphor, as a means to meditate on the passage of time…[read on]
To be creative when Romania was part of the Eastern Bloc was to either conform to the strictures of censorship and Social Realism, or to find ways to take your practice underground…[read on]
Thinking about the word loop, both positive and negative images come to mind. Loops are the circle of life and breath, the reassuring confirmation that existence continues…[read on]
A puzzling sense of displacement grips you as you walk up the stairs to Galerie Nordenhake. What at first appears to be a strangely fragmented conversation between people…[read on]
The works of Henrik Potter, collected at PSM Gallery in an exhibition entitled ‘Souls,’ approaches the task at a slant. Potter eschews traditional painterly representation as…[read on]
