Reviews

Foam and Content: Caterina Gobbi at Zönotéka

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by Rositza Alexandrova // Jan. 28, 2020

You would have seen them. The multitude of tiny hats, the sombre homogeneous haloes atop identikit outsized attire – squadrons of sonic savants and ferociously…[read on]

Uncertain Future: Hito Steyerl at n.b.k.

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by Bárbara Borges de Campos // Jan. 21, 2020

A mesmerizing, soft AI voice greets you as you come into n.b.k. – “if you use the extract it will poison autocrats” – over a psychedelic series of kaleidoscopic flowers…[read on]

Defying Sex Laws: ‘Around the World: An Evening of Lavani’ at Sophiensaele

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by Sumugan Sivanesan // Jan. 17, 2020

Savitri Medhatul from Kali Billi Productions appears on stage before the full house of Sophiensaele’s Hochzeitssaal. “Namaste!”, she beams and the not-exclusively-white audience…[read on]

Caline Aoun’s ‘Seeing is believing’ at Palais Populaire

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by Martha Lochhead // Dec. 27, 2019

Caline Aoun is the winner of Deutsche Bank’s Artist of the Year 2019 Award. Her exhibition at Palais Populaire, ‘Seeing is believing’ is an abstract meditation on ways…[read on]

By All Means Trust in Allah, but Tie Your Camel First – A Look at the 2012 Marrakech Biennale

Higher Atlas Cover

by Marta Jecu // Apr. 25, 2012

The Biennale’s accompanying volume Higher Atlas/Au-Dela de l’Atlas: The Marrakech Biennale 4 in Context, edited by the curators, is indeed a collection of contexts…[read on]