As stories of environmental devastation fill our daily news feeds at an increasing rate, how do we come to terms with the fact that we are living in an era of unprecedented destruction…[read on]
Nina Rodin’s interdisciplinary show ‘Caviar, Skin and Unsolved Systems’ at Karl Oskar Gallery in Tempelhof suggests an approach to art-making as a scientific process…[read on]
It’s unclear what the move to virtual reality contributes to the morbid, sexual humor of Nathalie Djurberg, who has made a name for herself with claymation,…[read on]
Low monotone drone sounds lure the crowd in. People start filling up the seats around me, while I’m starting to ease into the sonic ambience of sustained low frequencies…[read on]
Perusing the catalogue for ‘Wahrheit ist Arbeit’ (Truth is Work) – the formative Werner Büttner, Martin Kippenberger and Albert Oehlen’s 1984 exhibition curated by…[read on]
When one sees Iran through its sweeping landscapes or its rural agrarian towns, it is easy to forget this is the same country flooding our news feeds with everything from…[read on]
This year’s transmediale exhibition ‘The Eternal Network’ calls for more intimate relationships within the network, and for regaining more control, away from centralized digital…[read on]
You would have seen them. The multitude of tiny hats, the sombre homogeneous haloes atop identikit outsized attire – squadrons of sonic savants and ferociously…[read on]
A mesmerizing, soft AI voice greets you as you come into n.b.k. – “if you use the extract it will poison autocrats” – over a psychedelic series of kaleidoscopic flowers…[read on]
Savitri Medhatul from Kali Billi Productions appears on stage before the full house of Sophiensaele’s Hochzeitssaal. “Namaste!”, she beams and the not-exclusively-white audience…[read on]
Caline Aoun is the winner of Deutsche Bank’s Artist of the Year 2019 Award. Her exhibition at Palais Populaire, ‘Seeing is believing’ is an abstract meditation on ways…[read on]
The Biennale’s accompanying volume Higher Atlas/Au-Dela de l’Atlas: The Marrakech Biennale 4 in Context, edited by the curators, is indeed a collection of contexts…[read on]
