I recently read that Wynnie Mynerva had been described as one of the most fascinating artists of our time. In an era where few artists manage to create works that can still be disturbing…[read on]
“Desire is a disaster,” Frieda Toranzo Jaeger states in her interview with Jessie Robinson, the curator of the exhibition ‘A future in the light of darkness’ at Modern Art Oxford…[read on]
How does art history influence contemporary artists today? ‘You Me,’ an exhibition featuring works by Jill Mulleady and Henry Taylor, now showing at Schinkel Pavillon,…[read on]
‘Streams of Spleen’ is cut through with bodily references, from fluids to bones to meaty flesh. Nashat has built a site-specific structure within the exhibition space…[read on]
A longing for a new concept of the “American Hero” is palpable in the ‘Gertrude Stein and Superman’ exhibition at Haverkampf Leistenschneider gallery in…[read on]
An opening concert consisting solely of about 60 loudspeakers might seem like a rather understated start to an international new music festival…[read on]
‘The Breath of a House is the Sound of Voices Within,’ takes its title from the words of American artist and architect John Hejduk. The quotation sets the thematic tone…[read on]
In the era of techno-feudalism, one’s fortune is dictated by mastery of the algorithm. Patents, copyrights and know-how serve as the protective walls of modern citadels, shielding the…[read on]
The exhibition ‘this is perfect, perfect, perfect’ at Kreuzberg Kunstraum, on view as part of this year’s transmediale, reflects on the indelible presence of online narratives and the non-stop…[read on]
‘On Rape – And Institutional Failure’ is the second chapter of a long-term research project called ‘A History of Misogyny,’ started by Laia Abril in 2014 to rigorously investigate the modus…[read on]
Karim Aïnouz’s exhibition ‘BLAST!’ taps into this feeling, stirring up a sense of wonder for days gone by through a collection of personal photographs and mundane items…[read on]