In Virginia Woolf’s essay ‘Rambling Round Evelyn’ (1920), she explains that a “good diarist writes either for himself alone or for a posterity so distant that it can safely hear every secret and…[read on]
Müller’s exhibition examines the spatial and institutional dynamics of the museum, starting with variations in scale and value between a drawing and a painting…[read on]
Few pieces so clearly deserve the epithet “Gesamtkunstwerk” as Donna Huanca’s ‘Mortal Coil.’ Asked to describe the bewildering, otherworldly nature of this enclosed…[read on]
Within the context of the inaugural Klima Biennale—a 100-day program presented in Vienna this spring, showcasing ecological positions from the fields of contemporary art, design,…[read on]
At the Brussels gallery Sorry We’re Closed, Anastasia Bay presents a body of work that takes the form of an exhibition opera titled ‘Maestra Lacrymae’…[read on]
For some time now, Berlin’s reputation as an artistic capital has been undergoing a healthy deflation. Even as the official credo of “poor but sexy” rumbled onward—if not in minds,…[read on]
Alexandra Pirici’s latest exhibition, ‘Attune,’ transforms the historic hall of Hamburger Bahnhof into a vibrant landscape where human and non-human entities come together in a…[read on]
I recently read that Wynnie Mynerva had been described as one of the most fascinating artists of our time. In an era where few artists manage to create works that can still be disturbing…[read on]
“Desire is a disaster,” Frieda Toranzo Jaeger states in her interview with Jessie Robinson, the curator of the exhibition ‘A future in the light of darkness’ at Modern Art Oxford…[read on]
How does art history influence contemporary artists today? ‘You Me,’ an exhibition featuring works by Jill Mulleady and Henry Taylor, now showing at Schinkel Pavillon,…[read on]
‘Streams of Spleen’ is cut through with bodily references, from fluids to bones to meaty flesh. Nashat has built a site-specific structure within the exhibition space…[read on]
