‘Open For Maintenance’ (2023), Germany’s contribution to the biennale, curated by ARCH+, Summacumfemmer and Büro Juliane Greb, primarily tackles the waste…[read on]
The exhibition ‘Unseen Colour’ is currently showing at the LAC cultural centre of MASI Lugano, and it’s presenting newly discovered colour works by Swiss photographer Werner Bischof…[read on]
Created in the wake of the 2008 global financial crisis, Isaac Julien’s video installation ‘Playtime’ (2013) is an intriguing take on the life-altering repercussions brought on by…[read on]
KW Institute presents the artist’s first comprehensive retrospective in Europe, ‘Martin Wong: Malicious Mischief,’ in which the seemingly incongruous are held together…[read on]
Susan Finlay’s ‘The Lives of the Artists’ is not explicitly about money (the word “money” doesn’t even make an appearance) but it is there in many guises…[read on]
The radical premise behind ‘Eigenface’—Ulrich Gebert’s latest show at Klemm’s Berlin—is that computer vision sees the face as an artist does, that is, aesthetically…[read on]
Entering the gallery at WIELS, we find something like an IKEA display designed by Alejandro Jodorowsky. A deep red carpet covers the entire floor of the main space…[read on]
In Darren Bader’s current show ‘fünfdreier’ at Société Berlin, the realisation of the five instruction-based works in the exhibition are in large part dependent on…[read on]
“A simultaneously sensual, resistant and vulnerable organ” is how curators Julie August and Katharina Koch view skin, and it’s also the starting point of ‘Skin – Membrane, Organ, Archive’…[read on]
The exhibition ‘Just Above Midtown: Changing Spaces’ at MoMA in New York took into account this formidable history and told the story of the space and its artists, using a wealth…[read on]
In ‘Chapel of Care and Rage,’ we are invited to imbibe rich visual imagery of mythical goddesses, animal figures and medicinal plants as they peer down on us from on high…[read on]
