The second edition of the Helsinki Biennial materializes the feeling of environmental doom portentously lingering in the collective consciousness. However, its greater…[read on]
As an introduction to her exhibition ‘Well Beings,’ the figures set the tone for this complexity of emotion that pervades throughout. We’re met with a text at the entrance that situates…[read on]
The heat of a summer night in the city, a fleeting silhouette of a woman by her window, the slit of dying light between the gap of two buildings. These are some of the images evoked…[read on]
‘O Quilombismo: Of Resisting and Insisting. Of Flight as Fight. Of Other Democratic Egalitarian Political Philosophies’ draws on further development of the quilombist…[read on]
Taking the gallery space outside of its conventional context and placing it into apartments, bedrooms, outdoor swimming pools, ex-car dealerships and power plants, the month-long festival…[read on]
There’s a clean simplicity about Julius von Bismarck’s encompassing, biographical exhibition, ‘When Platitudes Become Form,’ at the Berlinische Galerie…[read on]
The relationship between humans and technology, and the ethical implications of the latter, have been the subject of an ongoing debate that draws in all disciplines…[read on]
‘Open For Maintenance’ (2023), Germany’s contribution to the biennale, curated by ARCH+, Summacumfemmer and Büro Juliane Greb, primarily tackles the waste…[read on]
The exhibition ‘Unseen Colour’ is currently showing at the LAC cultural centre of MASI Lugano, and it’s presenting newly discovered colour works by Swiss photographer Werner Bischof…[read on]
Created in the wake of the 2008 global financial crisis, Isaac Julien’s video installation ‘Playtime’ (2013) is an intriguing take on the life-altering repercussions brought on by…[read on]
KW Institute presents the artist’s first comprehensive retrospective in Europe, ‘Martin Wong: Malicious Mischief,’ in which the seemingly incongruous are held together…[read on]
