The strength of the exhibition at Julia Stoschek Foundation is that it carefully orchestrates Jenkins’ multifaceted, non-aligned practice rather than describing it…[read on]
There is something very calming about Nan Goldin’s photographs, a sort of comfortable intimacy that’s easy to witness and stand in front of. The subjects photographed don’t…[read on]
Ensembles Contrechamps and Zwischentöne brought the performance to life under the direction of Bill Dietz, who had collaborated with Amacher for many years and is dedicated to…[read on]
The Bad Ideas Collective (BIC) is less of a working collective than a collection of artists sharing their “bad ideas,” though one of its three founders, artist and Central Saint Martins…[read on]
In ‘GG,’ Ad Minoliti’s latest show at Peres Projects in Berlin, the white cube has been domesticated. Stepping into the gallery space on Karl-Marx-Allee…[read on]
“My childhood was a paradise until I fell in love” may seem an uncommon thing to say to most. Not so for Jeanne Tremsal, who grew up in a commune where exclusive love was forbidden…[read on]
Perhaps it’s because art hasn’t centred on handwork for at least a good six decades now that exhibitions tend to veer toward immersive, experiential formats. Surround sound,…[read on]
Christopher Kulendran Thomas explores the lost histories of the Tamil community using vast quantities of online data combined with his own personal experience. Using Unreal…[read on]
Mara Lee, born 1972, poet and author, sets out to scrutinise the assumption that good intentions, expressed through love and care, are enough to prevent one from being racist…[read on]
It is disappointing that Hack’s work is rarely shown outside Germany (and never, by my count, outside Western Europe) because he deserves greater recognition than he currently enjoys…[read on]
In his current show at Galerie Mazzoli Berlin, titled ‘符号的智能 (The Intelligence of Signs),’ Donato Piccolo speculates on the potential of AI to infuse autonomy and even authorship into…[read on]
