‘Don’t Panic,’ on view at soft power until November 20, is part of 3hd 2022, the annual interdisciplinary festival from Berlin-based art platform Creamcake. The exhibition brings together…[read on]
To what extent can technology mimic reality? British media artist Ed Atkins explores this very question in his solo exhibition at Galerie Isabella Bortolozzi. The exhibition takes you…[read on]
Given the extent to which Bruno and Linke are aware of the significance of this program, and the effort that they have made to define a useful position within it, ‘Earth Indices’ itself…[read on]
The first chapter of the usually Norway-based Screen City Biennial (SCB), titled ‘Other Minds,’ makes its Berlin debut in the Archenhold Observatory, as well as a number…[read on]
As a two-time host of the Winter Olympics and the place where winter holidays were supposedly invented, St. Moritz isn’t the most obvious location for a summer art festival. However,…[read on]
On one of those record-breaking hot days in early September, I took a train to Neuss to see Julian Charrière’s latest show at the Langen Foundation. The venue is located just 20 km…[read on]
Much more than just a picturesque landscape, the depth and dynamism of Berlin native Michelle Jezierski’s work is beautifully captured in the recently published book ‘Simultaneous…[read on]
The idea of art as a means of survival has a long history in former Soviet republics. Take this verse from the poem by Latvian poet Ojārs Vācietis, which was the inspiration and provided…[read on]
The word “uprising” is not one I would usually connect to a half-derelict manor house located deep within the Brandenburg countryside. Inconspicuous, it lies nestled between…[read on]
Manifesta 14 provides one of those rare instances where the exhibition space is as interesting as the exhibits they contain. The epicenter of this year’s biennial, held in Prishtina…[read on]
Andrea Fourchy’s canvases in ‘Bachelors’ at Société are drawn from the golden age of post-war cinema and glossy magazines when Jet Set 1.0 ruled the skies. Looming over all others amidst…[read on]
Visual artist, poet, former lead singer and founding member of the seminal Krautrock band CAN Malcolm Mooney’s solo exhibition, ‘Works: 1970–1986,’ focuses on the artist’s…[read on]
