Article by Benjamin Busch // June 03, 2019
How to trace nonbinary relations at the Venice Biennale, an aging institution burdened by spatial subdivision into national domains of representation? With a queer transversal approach…[read on]
Interview by Ilyn Wong // May 31, 2019
For the Berliner Tanztage in March of this year, the performer Olympia Bukkakis presented ‘Gender Euphoria’, a performance-lecture-cabaret show that proposes drag as a way to experience not only a sense of euphoria…[read on]
Article by Johanna Hardt // May 24, 2019
It starts off in low light. In almost total darkness, the dancers walk on stage. Standing motionlessly until the first beat of the music drops. Low beats, blue lights – the duo starts to turn, twist, jerk on the floor…[read on]
Jesse Darling
by Emily Watlington // May 14, 2019
A piano with some of its panels removed and innards exposed sits in Jesse Darling’s Berlin studio. It’s a broken piano they got for free,…[read on]
Interview by Penny Rafferty // May 03, 2019
¥€$Si Perse is, in the words of its creators, “a fiction suit – a hyperstitional interface” that allows its wearers to enter into alternative narratives. This acts as both a point of departure from this world and a form of…[read on]
Article by Johanna Hardt // Apr. 23, 2019
Creamcake’s second experimental symposium on cyber- and technofeminist thinking, took place a couple of weeks ago at Berlin’s aquarium and Südblock, two community-run spaces right next to each other…[read on]
Article by Nora Kovacs // Apr. 17, 2019
The anticipation surrounding the latest BMW Tate Live Exhibition at Tate Modern had been palpable in the months leading up to it, this March. The exhibition, titled ‘Sex’, carried a mysterious air…[read on]