Otobong Nkanga, born in Kano, Nigeria, currently lives and works in Antwerp. Her multidisciplinary art practice focusses on the complex relationship between land and its inhabitants. Her exhibition ‘There is No Such Thing…[read on]
Legacy Russell is a curator, artist and the author of the forthcoming book ‘Glitch Feminism’. Russell’s book, to be released by Verso Books in September, is a manifesto and an exploration of the role that art…[read on]
The Silent University is a solidarity-based knowledge exchange platform by displaced people and forced migrants. It is led by a group of lecturers, consultants and research fellows who share this background…[read on]
Drawing on natural ecosystems for inspiration and material, Frank Ekeberg’s audio compositions have a cyclical quality akin to the habitats they capture. Field recordings play a crucial role…[read on]
Britta Marakatt-Labba, a Sámi textile artist and painter, grew up in a reindeer-herding family in the Northernmost region of Sweden. For the Sámi, who have lived across the borders of the countries today known as…[read on]
Allison Janae Hamilton triangulates her artwork between her Kentucky birth, Florida upbringing, and Tennessee family farm. The swamps simmer beneath skewers of skinny pines. The crickets commandeer conversations…[read on]
A cascade of bones spirals down from the ceiling, creating a fluid motion reminiscent of that of a wind chime. For ‘Spirals of the Pile’ (2018), the reindeer jaws, reused from her previous pieces, are carefully…[read on]
June 05, 2020
As part of a growing number of artists who are addressing landscape through the traditional medium of painting, we invited Hannah Brown and Rebecca Partridge to have a conversation, which took…[read on]
Video by MONA // June 03, 2020
In the newly opened exhibition ‘The White, the Green, and the Dark’, presented by the Royal Norwegian Embassy in Berlin, artists Ingrid Torvund and Jonas Mailand will show all three films from their ‘Under Earth’ trilogy…[read on]
Article by Hannah Carroll Harris // May 29, 2020
Re-centring the periphery is the focus of this year’s Biennale of Sydney which takes an expansive approach to its themes of First Nations sovereignty, environmental crisis, community…[read on]
Interview by Hannah Carroll Harris // May 26, 2020
A steel mountainous landscape steadily deteriorates in its brine-filled vitrine, turning the once-clear liquid a corrosive dusty orange; a hanging plastic sheet rhythmically moves to a draft of air in the…[read on]
