Article by Denisa Tomkova // Nov. 15, 2019
The exhibition ‘The Long Term You Cannot Afford. On the Distribution of the Toxic’ at SAVVY Contemporary uncovers the different forms and meanings of the toxic…[read on]
Article by Dagmara Genda // Nov. 12, 2019
It’s not without reason that biennials have reaped their fair share of criticism. For all their worth in unpacking complex topics and making the arts an economic engine…[read on]
Interview by Jo Lawson-Tancred // Nov. 08, 2019
Live performance, graphics and film are just some of the media through which British-Ghanaian artist Larry Achiampong explores class, race and postcolonial society in a practice that delves fluidly…[read on]
Article by Faye Campbell // Nov. 05, 2019
‘De-Heimatize It!’ is a call to action. The exhibition is a battle-cry, multiple voices coming together to form a rousing chorus demanding change, representation and attention.…[read on]
Interview by Denisa Tomkova // Nov. 01, 2019
The exhibition ‘Neither Black/ Red/ Yellow Nor Woman’ at Times Art Center in Berlin is based on the fictional meeting of three female protagonists…[read on]
Article by Alison Hugill // Oct. 29, 2019
Many of the typical art school tropes that we now take for granted – like boundary-pushing classroom critiques, unorthodox assignments and endless experimentation – were brand new 100 years ago when the Bauhaus…[read on]
Article by Denisa Tomkova // Oct. 25, 2019
The current exhibition at the Julia Stoschek Collection by a New York based-studio WangShui is part of Horizontal Vertigo, a year-long program curated by Lisa Long…[read on]
Article by Denisa Tomkova // Oct. 22, 2019
The exhibition ‘Walking Through Walls’ at Gropius Bau reflects on the 30th anniversary of the Fall of the Berlin Wall. As a historical event, the Fall symbolized hope for a shared future together…[read on]
Article by Faye Campbell // Oct. 18, 2019
The idea of revolution feels pertinent, topical, very now. We see it in the news and perhaps our everyday life…[read on]
Interview by Kimberly Budd // Oct. 15, 2019
Descriptions such as “anointed saint of contemporary Australian art” or “Australia’s most acclaimed living artist” attest to the kind of public profile Ben Quilty holds within the nation…[read on]
Article by Alison Hugill // Oct. 08, 2019
Elvia Wilk’s debut novel ‘Oval’ presents its readers with a parallel world; the city of Berlin is almost imperceptibly different from its current state, but many of its quintessential qualities are ramped up to near-Sci-Fi effect…[read on]
Interview by Lucia Longhi // Oct. 04, 2019
Davide Quayola belongs to a generation that forged artistic production in the digital world, his works intersecting between a classical iconographic legacy and a contemporary digital language…[read on]
