Interview by Brit Seaton // Oct. 09, 2018
Most of us probably haven’t asked our neighbour for a cup of sugar, let alone asked them what they’d do with a cash sum of £100. In September 2017, the latter request floated through the letterboxes…[read on]
Article by Isabelle Hore-Thorburn // Oct. 05, 2018
A rose-pink chainlink curtain demarcates the entrance to ‘Touch’ at nGbK. Walking through the threshold of the exhibition, I touch and am touched by Ruth Buchanan’s work, Split, Splits, Splitting…[read on]
Interview by Benjamin Marvin // Oct. 02, 2018
If repression has become the fundamental link between power, knowledge and sexuality we cannot cure ourselves of it without an examination of the ways mental illness and invisible disease operate…[read on]
Article by Isabelle Hore-Thorburn // Sept. 28, 2018
‘Bitter Things: Narratives and Memories of Transnational Families’ at Archive Kabinett examines the significance of things and objects for families separated by the global care chain…[read on]
Article by April Dell // Sept. 27, 2018
Imagine the artist as a messenger. They transmit, decode, untangle and entangle the data feed of the everyday through familiar and unfamiliar means. ‘Strange Messengers’, the current group…[read on]
Interview by Penny Rafferty // Sept. 21, 2018
Ben Elliot treads a fine-line between vacuous consumerism and crushingly emotional terrains. At first glance, you may write this Parisian off as an influencer, party-boy or even a troll, but his soft, off-the-cuff quips…[read on]
Interview by Isabelle Hore-Thorburn // Sept. 18, 2018
Art historians have long drawn upon the rich symbolism and allegorical potential of food in art. From Cézanne’s Still Life with Onions and a Bottle to Jana Sterbak’s Vanitas, Flesh Dress for An Albino…[read on]
Article by Isabelle Hore-Thorburn // Sept. 12, 2018
Julian Charrière is the 2018 recipient of the GASAG Art Prize. His career to date articulates the award’s focus on the intertwining of art, technology and science. Since studying under Olafur Eliasson at the…[read on]
Article by Lee Escobedo // Sept. 06, 2018
‘Hyperobjects’ at Ballroom Marfa, organized by Laura Copelin and Timothy Morton, focuses on ecological occurrences that are beyond the human capacity for understanding…[read on]
Article by William Kherbek // Aug. 28, 2018
Earlier this year, Juliette Desorgues curated an exhibition for artmonte-carlo entitled ‘Hypersea,’ featuring the work of artists including Mimosa Echard, Rebecca Jagoe, Jala Wahid, the Young Girl Reading Group and…[read on]
Article by Jack Radley // Aug. 24, 2018
In theory, The ICA Watershed’s premiere exhibition, ‘Diana Thater,’ makes perfect sense, but the ICA’s civic concerns are watered down by the spectacle of the show’s aesthetic emphasis…[read on]
Article by TL Andrews // Aug. 21, 2018
Sarah Cameron Sunde’s ongoing artistic project calls for her to spend upwards of 12 consecutive hours in an icy ocean or sea as the tide clasps and releases her body…[read on]
