Rita Mazza is a performance artist, artistic director and Sign Language choreographer in visual sign performances for Deaf and hearing audiences based in Berlin…[read on]
“I MIGHT BE THE ONLY BROWN PERSON IN THIS ROOM” read the black block letters meticulously embroidered on unbleached cotton, whose unfinished edges recede into the…[read on]
Access in exhibition-making is often reduced to accommodations considered after the creation and installation of work rather than as an integral part of the artistic process. In her…[read on]
Japanese multimedia artist Mari Katayama creates striking self-portraits and soft sculptures that incorporate her body alongside hand-sewn objects, fostering a thoughtful dialogue…[read on]
melanie bonajo is an artist and somatic practitioner whose works have incorporated a wide range of aesthetic and social discourses. bonajo, alongside with Yanna Rüger and Daniel Cremer…[read on]
The topic of rest, or rather the lack of it, has become ubiquitous. If you asked friends, colleagues or even strangers on the street about their daily lives, a common theme would…[read on]
The question of “access” is a far-reaching one—it can be as simple as the architecture of an entry-way or as complex as the many invisible barriers put in place to reinforce institutional…[read on]
‘Sentient Clit’ is a collaborative project rooted in scientific research and creative dialogue between artists Jiabao Li and Dr. WhiteFeather Hunter. Hunter, a Canadian artist and…[read on]
About six months ago, Monica Bonvicini had to leave her place at the Uferhallen complex in Wedding and relocate to a new studio. For the first time in 15 years…[read on]
Antonia Breme is an artist born and based in Berlin, whose practice re-thinks the aesthetics of displays in window design, abstracting them through new sculptural forms…[read on]
One visual effect dominates the superb caché of paintings by the American artist Miranda Holmes, which deal with the entanglement of self and other, subject and object…[read on]
In Virginia Woolf’s essay ‘Rambling Round Evelyn’ (1920), she explains that a “good diarist writes either for himself alone or for a posterity so distant that it can safely hear every secret and…[read on]
