We spoke to PSJM about how their work is entangled with the notion of utopia, both in the content and aesthetic of their museum-ready art objects and in the process and…[read on]
The Berlin-based artist collective Lou Cantor—comprised of Kolja Glaeser and Jozefina Chetko—have been considering the ways humans, objects and machines relate to each other…[read on]
Sasha Amaya punctuates our conversation with seemingly effortless demonstrations of dance: a spin, a graceful drop, a particularly painterly twist of the wrist. Rather than interrupting…[read on]
Lek discusses different aspects of ‘NOX’—his largest exhibition to date, presented by LAS Art Foundation—as well as his idea of “incremental utopia” running through the…[read on]
It might be a good time to re-orient our thinking towards viable social alternatives. What could “utopia” mean today? What social and political forms can hope take?…[read on]
At Pirelli HangarBicocca’s cavernous, industrial exhibition space, Thao Nguyen Phan’s works—videos, installations, drawings and paintings—bring a certain poetic softness…[read on]
Bassam Issa Al-Sabah’s latest work, ‘Uncensored Lilac’ (2023), is an exhibition collaboration between Issa Al-Sabah and Jennifer Mehigan as part of transmediale’s 2024 festival…[read on]
In an act of reclaiming these myths of the past that still live and breathe today, the group exhibition ‘The Laugh of the Medusa’ at EKKM in Tallinn, Estonia, takes its title from a…[read on]
We reached out to DeForrest Brown Jr. to learn more about his contribution and personal connection to the show, the myths surrounding the origins of techno as well as how…[read on]
Phoebe Collings-James’ most recent exhibition of ceramics at Arcadia Missa, ‘bun babylon; a heretics anthology,’ is animated with a lineage of Caribbean spiritual and political resistance…[read on]
Mary Reid Kelley is an artist concerned with myths, both sacred and profane. The ‘Minotaur Trilogy’—realised in collaboration with her partner, Patrick Kelley—is their most sustained…[read on]
‘Deserters’ (2023) at Kunsthaus Baselland is a live installation by Italian artist Chiara Bersani, that uses tapestry, performance and textile works to recentre bodies with disabilities…[read on]
