Alice Morey is an artist who works with painting, sculpture and textile to build delicate installations. Within the often chaotic space of wilderness, as a concept, she brings to the fore…[read on]
Through her multidisciplinary practice, Alexandra Daisy Ginsberg explores a wide array of topics—artificial intelligence, synthetic biology and evolution, to name a few…[read on]
Arijit Bhattacharyya’s exhibition, ‘Sea of Forests’, questions the respective roles of nature and civilisation. Can we dissolve the boundaries between, and relearn from the…[read on]
We spoke to Monster Chetwynd about what drew her to the moths, and why she wants to highlight the role of local conservationists in this work…[read on]
‘Pole der Unzugänglichkeit’ (Poles of Inaccessibility) is the continuation of the exhibition series ‘Schwindel’ (Vertigo), which initiated a critical analysis of humanity’s…[read on]
The second edition of the Helsinki Biennial materializes the feeling of environmental doom portentously lingering in the collective consciousness. However, its greater…[read on]
The antidote is a more sustainable natural dyeing revival that seeks to reconnect natural methods with aesthetic pleasure. Among this group of pioneering bio-designers is Ilfa…[read on]
The ways in which humans interact with the Białowieża forest is the subject of Kinga Kiełczyńska’s 2016 work, simply entitled ‘Białowieża,’ which depicts a group…[read on]
Is the very definition of art (and its relationship to artifice) an antithesis to wilderness? Through our upcoming interviews and exhibition reviews, we hope to scratch the surface of what…[read on]
Nakadate makes use of vernacular images and the visual possibilities of the day, such as enlisting the services of internet photo editors, to document and contemplate the passage of time…[read on]
We spoke with van Saarloos, in a written exchange over the course of a few days, about the book and about how age and ageism inform their thought, as well as their artistic and curatorial…[read on]
John Smith has been making films for more than half a century now, and his works examine how time inscribes itself on a work, on a place and on the body itself…[read on]
