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by Chris Erik Thomas // Apr. 11, 2025
Graffiti is an art form of the people. From the moment aluminum spray paint was patented in 1951 for use on steam radiators, the readymade canisters have been co-opted to create…[read on]
by Diane Barbé // Apr. 4, 2025
The Casino for Social Medicine is an experimental, collective and anticapitalist bar and café that recently opened its doors at Sonnenallee 100, in Berlin-Neukölln…[read on]
by Jayne Wilkinson // Mar. 27, 2025
The building of all empires requires art and, much like the global franchise that is the Guggenheim, Refik Anadol’s generative AI artwork arrives alongside a new form of empire…[read on]
by Nadia Egan // Mar. 21, 2025
DANCÆ, an evolving performance series, reimagines ballet through immersive, multidisciplinary collaborations. Their latest project, ‘Körperfabrik,’…[read on]
by William Kherbek // Mar. 14, 2025
Samra Mayanja is a performance artist, poet and curator responsible for the project space The Call Centre in Hackney Wick, London. Mayanja’s performances…[read on]
by Alison Hugill // Mar. 7, 2025
At some point or another, an exhibition text is likely to refer to the public—the audience, the visitor, the viewer. This amorphous category is given a lot of weight and critical responsibility…[read on]