Interview by Rebecca Partridge // Jan. 25, 2019
The work of artist Florence Peake flies in the face of conservatism. Literally. Wet slopping clay, hurled across the gallery. Her practice morphs between performance, painting and sculpture and though…[read on]
Article by Beatrix Joyce // Aug. 23, 2018
Onerous is the task of an artist to—amidst the current political turmoil and the creeping, post-truth skepticism—re-introduce the themes of art and love. Without hiding behind the pretense of obscure…[read on]
Article by Louisa Stark in Berlin // Feb. 28, 2018
From the moment the audience enters the studio space at Tanzfabrik for the performance ‘Now and Then’, they are made acutely aware of time. Two performers, Christina Ciupke and…[read on]
Article by Beatrix Joyce in Berlin // Feb. 23, 2018
Race, heritage and the act of Othering are currently trending on Berlin’s stages. That said, ‘Unrestricted Contact’ by Grupo Oito was not just “another work about race,” as quoted from their performance. The collective…[read on]
Openings at Momentum, Kühlhaus, Fata Morgana, National Museum, Mavra, Haus am Waldsee, Galerie Thomas Schulte, c/o Berlin, Helga Maria Klosterfelde, Decad, Future Gallery, Videoart at Midnight, Scotty Enterprises, Uqbar,…[read on]
Blog Entry by Chloé Richard – in Berlin; Sunday, May 29, 2011.
Tuesday was Soylent Green Day at .HBC, where the movie of the same name was screened. Each audience member was given a ticket at the door, good for a plate of either “rich” food (bread, French cheese and cranberries) or “poor” food (crackers with cheddar cheese in a can, candy powder and a nice chemical dessert) to get the mind ready for the movie…