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‘Gossip Gossip Gossip’ is a Double-Edged Sword
by Nadia Egan // June 29, 2022
‘Fakes, Fictions and Forensics’—the first in ‘Gossip Gossip Gossip’s’ ongoing series of events—reconsidered gossip not as “empty talk,” but rather, as emancipatory reappropriation…[read on]
Visual Essay: John von Bergen
June 24, 2022
We are delighted to feature John von Bergen as the first contributor to our artist’s Photo Essay series. This series will be related to our feature topic, which until the end of June is…[read on]
To Each Their Own Fake: The Work of Emma Adler
by Dagmara Genda // June 27, 2022
“Fake” is the thread weaving through all of Emma Adler’s works and it appears in different forms: virtual reality, replica, realistic theatre prop, an unrealistic concrete wallpaper,…[read on]
When is the Fake a Form of Empathy?
by Lucia Longhi // June 1, 2022
The group exhibition ‘Mimicry-Empathy,’ curated by German artist Susanne Bürner, brings together works that activate deep connections between the two concepts…[read on]
The Faux Reality of Andy Kassier
by Alice O’Brien // May 17, 2022
Sharp, small, but sweet, ‘read that twice’ is a layered and ironic assessment of the modern-day value system. Though limited in size, it possesses the potential to leave each visitor with…[read on]
‘What is a Certified Fake?’ An Interview with Rhea Myers
by William Kherbek // May 13, 2022
Rhea Myers has been creating art using advanced digital blockchain technologies since 2013. Her work is defined by a sophisticated understanding both of computation and programming…[read on]
Letter from the Editor: Fake
by Dagmara Genda // May 4, 2022
Our Editor-in-Chief introduces the topic, Fake, for May and July, and previews a few upcoming articles…[read on]
