Tuesday, Nov. 25, 2014 WIEN LUKATSCH “under cover II”- editions and prints by GEORGE BRECHT, ROBERT FILLIOU, RICHARD HAMILTON, GEORG HEROLD, A.R. PENCK a.o. Exhibition: Nov. 25, 2014 – Jan. 22, 2015 Schöneberger Ufer 65 (click here for map) Wednesday, Nov. 26, 2014 MATHEW “Transatlantic Transparency” – CHRISTIANE BLATTMANN, THEA DJORDJADZE, ELOISE HAWSER, COOPER JACOBY,… Read more »
Blog post by Alison Hugill – in Berlin; Friday, Mar. 14, 2014.
The pristine, high-ceilinged white space at Galerie Rolando Anselmi provides, without fail, an elegant backdrop for any artist to show their work. Sculptural works fit particularly well in the space, which has two large rooms to walk around unimpeded…[read on…]
Tuesday, Dec. 11, 2012 KW “Public Intimacy” – Charlotte Klonk in conversation with Carolyn Christov-Bakargiev, Susanne Pfeffer, Jeremy Shaw Talk: Tuesday, Dec. 11, 2012; 7.30pm Auguststraße 69 (click here for map) VOLKSBÜHNE BERLIN Philosophie der Überstürzung “Drei Filme” – JEANNE FAUST Film Screenings: Tuesday, Dec. 11, 8 pm Roter Salon, Rosa-Luxemburg-Platz (click here for map)… Read more »
Interview by Elizabeth Feder – in San Francisco; Friday, Dec. 07, 2012.
As much art arguably should, Flemish artist Jan Van Oost’s work conjures up some complex and conflicting responses. Delicate and exquisite treatment of materiality used to render images and figures of morbidity draws one in with simultaneous curiosity and revulsion. Oost is speaking from another era, drawing his inspiration from the expressive energy of 19th century Belgian symbolists like Antoine Wiertz, Léon Spilliaert and…[read on…]
Interview by Jeni Fulton – in Berlin; Friday, Oct. 19, 2012.
Sculptor Paolo Grassino (Turin, 1967) creates large-scale installations using industrial materials. Plastic piping, cargo pallets, latex and steel are marshalled to create landscapes and figures alluding to chaos and urban dystopia. Animals and humans are rendered in metal and black latex, robbed of their eyes, mouths and ears. Incorporating Arte Povera’s use of low or everyday materials and using a restricted monochromatic palette…[read on…]