‘Romantic Ireland’—the Irish pavilion at this year’s Venice Biennale, by visual artist Eimear Walshe—explores the history of land contestation in Ireland and intergenerational care, both…[read on]
The XR Open Call 2024 is open to individuals and teams in Berlin from visual arts, music, literature, performing arts, design, photography and video art…[read on]
Karim Aïnouz’s exhibition ‘BLAST!’ taps into this feeling, stirring up a sense of wonder for days gone by through a collection of personal photographs and mundane items…[read on]
Narcisster is participating in the current exhibition ‘The Cult of Beauty’ at London’s Wellcome Collection, which explores the universal myths and constant changing nature of…[read on]
Leontios Toumpouris advocates for a departure from the hegemony of language. Instead, he urges the exploration of the realm of physical sensation…[read on]
Mary Reid Kelley is an artist concerned with myths, both sacred and profane. The ‘Minotaur Trilogy’—realised in collaboration with her partner, Patrick Kelley—is their most sustained…[read on]
‘Smile Driver’ is a fitting entry point to the group exhibition ‘Trance,’ the main exhibition of the 7th edition of Tallinn Photomonth, an international biennial that now broadens its focus…[read on]
The largest scale solo show to date by Berlin-based artist and choreographer, Melanie Jame Wolf, opened at E-Werk Luckenwalde this month. Curated by Adriana Tranca…[read on]
Marianna Simnett seems to have an impressive array of light fixtures in her Siemensstadt studio; this makes sense, given that the space is based in a former light bulb factory, which is…[read on]
Arijit Bhattacharyya’s exhibition, ‘Sea of Forests’, questions the respective roles of nature and civilisation. Can we dissolve the boundaries between, and relearn from the…[read on]
Nakadate makes use of vernacular images and the visual possibilities of the day, such as enlisting the services of internet photo editors, to document and contemplate the passage of time…[read on]
Created in the wake of the 2008 global financial crisis, Isaac Julien’s video installation ‘Playtime’ (2013) is an intriguing take on the life-altering repercussions brought on by…[read on]
